Nuno’s work was initially influenced by sardinian’s geography, than he started to work with basic elements that characterize that landscape, the concrete of the hills of Samatzai , the wind, the fauna and flora and the time.
Wind was the power that influenced the first sculpture he created while being in the town. A tower for the dispersion of the ashes. In Berlin he set-up different landscapes, translating the immaterial presence of the sardinian experience in something more physical.
Wind was the power that influenced the first sculpture he created while being in the town. A tower for the dispersion of the ashes. In Berlin he set-up different landscapes, translating the immaterial presence of the sardinian experience in something more physical.
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| Tracing I (human presence translated to clay) Body print on clay, unbaked Dimensions and duration variable 2012 |
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| Tracing II (Rock dust) Animal trace, pulverization of water on cement 10x4x13cm 2012 Tracing III (time) Mediterranean tortoise, cement Duration variable 2011 |
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| Mutation of two forms Wood, fan, rock (made of cement from Sardinia), butterfly, glass 100x80x200cm, duration variable 2012 |
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| Object to translate presence into air Wood, coolers, vegetation from Sardinia-Italy 40x30x40cm 2012 |
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